Set pieces
In some of these old Japanese movies, it's kind of obvious they were in a hurry, or way over budget. In others, it looks like they had all the time in the world, and made good use of it. I have no idea what was going on, but in Zatoichi the Fugitive (1963) cinematographer Chishi Makiura earned his pay. Here are a few shots from the film:
Good guy coming up |
Bad guy coming down |
Miwa Takada |
How can we ever thank you for saving our |
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