Service interruption
Due to his annual vacation to The Continent, The Other Front will not be posting for the next few weeks.
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Fools swear they wise, wise men know they foolish
Due to his annual vacation to The Continent, The Other Front will not be posting for the next few weeks.
[W]e saw two admirable characters taking different sides as if ignoring the UN's pleas was a reasonable option.
Loveday appreciates, on its literary merits, this story from 2 Samuel 11 and 12. Loveday uses the King James text, which he says "deliberately matched style to content, and did not shy away from the heightened language suited to all seriousness, whether sacred or secular."
Imagine Dragons tend to wear matching outfits and shout choruses in malevolent unison and whack giant drums, like a musclebound Jock Jams version of Arcade Fire.
Prophecy for Blake, however, was not a prediction of the end of the world, but telling the truth as best a person can about what he or she sees, fortified by insight and an "honest persuasion" that with personal struggle, things could be improved. A human being observes, is indignant and speaks out: it's a basic political maxim which is necessary for any age. Blake wanted to stir people from their intellectual slumbers, and the daily grind of their toil, to see that they were captivated in the grip of a culture which kept them thinking in ways which served the interests of the powerful.
The English author Simon Loveday died in February, too young; but not before he had completed a ten-year project, distilled it down to 320 clear and interesting pages, and found a publisher for it. The result, The Bible for Grown-Ups (link) is a succinct synthesis of scholarly work on the Bible. It has pissed off everyone in sight, and it's great.
Written neither from the viewpoint of belief or unbelief, he aims to explain what nobody ever tried to explain to me in my own religious education: how this vast collection of stories, poetry, historical records, reports, genealogical tables, inventories, testaments and legends ever got stapled together — as it were — into the thing we call the Bible.
Who wrote the various bits, and why? What other aims might they have had, beyond the composition of a sacrament to their God? How did this all end up between two covers? How were its contents chosen?
How much is meant to be a factual report, and how much allegorical? How much is included just because it is beautiful, uplifting, solemn? Which of its famous stories occur in other cultures, religions, or literatures?
What is crucial is that by 60 AD, there were more Christians outside Palestine than in Palestine – and even more strikingly, more Gentile Christians than Jewish Christians. Why does this matter? Well, when the Romans responded to the Jewish bid for independence by flattening the Temple and the city of Jerusalem in 70 AD, they effectively wiped out the community of Jewish Christians centred on the Temple. Only the converts outside Palestine – overwhelmingly Gentile – were left.
We know extraordinarily little about the four evangelists, the people who wrote the first surviving accounts of Jesus. We do not know their names: the original Gospels do not bear an author’s name, andMatthew, Mark, Luke, and John are all merely guesses added 50 years or more after the books were first written and circulated. We do not know where they lived (though it was almost certainly outside Judea). We do not know their sex: it is unlikely that any was a woman, but women do feature largely in all four Gospels, notably in Luke. We do not even know for sure whether the writers were Jews or Gentiles. Matthew anchors his events strongly in the Old Testament, yet it is he who makes the Jewish crowd cry, ‘His blood be upon us’ before the crucifixion; Luke seems to have book-knowledge of the Jewish faith but little practical knowledge of its particular rituals and beliefs (see New Oxford Annotated Bible, p. 1827); and John, who constantly speaks of ‘the Jews’ festivals’, gives the impression that the writer is no more Jewish than his audience.
All four Gospels circulated in numerous versions from the earliest times and editors and copyists felt no embarrassment about amending the version they had inherited. The texts we now use, initially written between about 70 and 110 AD, were all changed, updated, added to, revised, and rewritten – not to mention copied, with all the errors that introduces – over the next century as theological opinions changed. The result is that we have no certainty as to what was the original version of our modern Gospels: textual criticism, in the old-fashioned sense of establishing an authoritative version, is highly skilled, but also extremely difficult. Any new edition of the New Testament bristles with footnotes indicating the choices that have been made between competing alternatives. As one recent writer reminds us, ‘so much does the interpretation and evaluation of the manuscript evidence progress, that a new New Testament will be issued every ten or twenty years for the foreseeable future’.
It is very common to hear people speak of ‘Christian values’, ‘Christian ethics’, or – on the other side of the coin – ‘un-Christian behaviour’. And although we often speak of Judaeo-Christian values and traditions as though they were consistent and uniform, not surprisingly it is the New Testament rather than the Old that is seen not only as the core element, but often as superseding the Old, with a contrast between the supposedly rule-governed and vengeful religion of the Old Testament, and the forgiving spirit of the New Testament where what matters is the inner state, not the outer observance.
Howse (I think) thinks Bible study is like that: dead without the Living God and the Living Christ. If that’s right then there’s no point exploring belief unless we already believe.
Loveday disagrees, finding the Bible moving, instructive and beautiful even when its central figure is pixellated out. Though I am an atheist, this book has sent me back to the Bible. Make up your own mind, but take it from me: Loveday writes with a clarity that is little short of gripping. He will engage you in a way a sneering reviewer can only envy.
Here are some excerpts from the thoughtful and alarmingly coherent Foreign Affairs article, "Keine Atombombe, Bitte" by Ulrich Kühn and Tristan Volpe, to which I have added some pictures and illustrative videos.
An old guy and some teenagers were joking around recently, and made up a game using the names of NBA players in the most suggestive way possible, as in the "If You Know What I Mean" game on Whose Line is it Anyway.
- Player #1 said: She could Harden my James, if you know what I mean.
- Player #2 said: I'd let her Pau my Gasol, if you know what I'm talkin' about.
- Player #3 said: I'd Kristaps her Porzingis, if you know what I mean.
That’s exactly how I looked at the whole series, too: like a pickup game. The type of players that you would play pickup with, like, it felt like they were all on the court. Like you get the big, strong fast bully who just runs to the rim like LeBron James. You get the dude that’s gonna dribble the whole possession and look sweet while doing it in Kyrie Irving. Then you get the big white guy who can rebound and shoot 3s: Kevin Love. It feels like it was a team created at 24 Hour Fitness. That’s how I was looking at it.
Durant: And then out of nowhere you see Bill Russell walking up on the podium. I’m like, “That’s a legend.”
[UPDATE: FiveThirtyEight does this properly here.]
...participants are doing back-of-the-envelope math to determine whether dropping a frost giant from an airship will lighten it sufficiently to gain meaningful altitude (conclusion: yes, probably).
.@Money23Green with the beautiful feed to @ShaunLivingston on ABC. #NBAFinals #StrengthInNumbers pic.twitter.com/CINRdBWgUR— GoldenStateWarriors (@warriors) June 5, 2017
Labels: TheLivingstonFiles
How bad is this situation? I look at Trump, at McMaster, at Tillerson, and conclude, “Yeah, I could do better.”
Former New York City mayor Michael Bloomberg has promised to provide up to $15 million in funding that he says the United Nations will lose because of President Trump’s decision to pull out from the landmark Paris climate deal.
Once dubbed "Milwaukee's angriest young negro" by the local paper, he's now a 69-year-old grandfather and live event D.J.